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Directed and Story by
Annetta Marion
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Award-winning filmmaker Annetta Marion originally hails from
a small Pennsylvania coal-mining town, and currently lives
and works in New York City. Her body of work includes over
ten short documentary and narrative films.
Her latest short
film "Alaska" was produced in conjunction with Marion’s
directing fellowship at AFI’s prestigious Directing Workshop
for Woman. That film has just wrapped up its festival run,
screening almost 30 times in 15 countries across 4
continents, gathering one award and one honorable mention.
"Alaska is a tightly-edited film that subtly, painfully,
captures the sadness and desperation of loneliness.
Technically the film is very good with attractive
cinematography. It's a standout production that deserves
wide distribution," says Thomas Baker, Ph.D., Chairperson of
The Accolade (www.theaccolade.net).
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Marion has just
signed a distribution deal with Mini Movie Channel for her
ultra-short horror film "The Doll Collector" after the
film's appearance on AMC's Monster Week and its festival run
of 18 screenings in 5 countries across 3 continents.
"...Marion has proven herself to be a director of terrifying
effectiveness in less than one minute flat," from a review
of "The Doll Collector" on
www.pretty-scary.com.
Additionally, her
short film "A Wise Decision" - about the importance of
voting - won a national award for outstanding communication
from the American Federation of Teachers, and was
distributed across the USA by the AFL/CIO. Of late, Marion
has directed five episodes of a web series called The 47th
Floor and was a recent participant in HOOK ME UP! –
NARRATIVE from DCTV New York/Shooting People. She is in
post-production on short MIDAS' SON (produced by Fluid
Theater Motion) that was written up in the July 2008 issue
of Movie Maker magazine and short LAKE WONDERFUL (produced
by Diane DeCoste and RyderWorks).
For her work,
Marion has been nominated for the Northern Ohio Live Awards
of Achievement in Film/Radio/TV and the Working Woman
Entrepreneurial Excellence Award. |
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Casting by Pamela Fahey |
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She has been obsessed with picking the right actor for the
right role all her life. Fahey started out as an assistant
casting director at NYC advertising agency Jordan, Case &
McGrath where mentor Vivian Hale was instrumental; she
eventually became the Casting Director for the agency.
She
then started Pamela Fahey Casting, a boutique company known
for casting high profile advertising campaigns as well as
small market spots, and expanded into animation, television,
film and theater. In addition to her casting work, Fahey is
also a sketch comedy director. |
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Cinematography by
Rod Lamborn |
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After earning his film degree at Brigham Young University
where his student work was highly honored, Lamborn headed
east to settle in New York. Shortly thereafter he was on
the road in the first of many worldwide cinematic
adventures. His first trip, as DP on the PBS documentary
“Immortal Fortress” that tells the story of the freedom
fighters in Chechnya, found Lamborn living among people on
the Interpol list of world terrorists.
That project led to
greater travel to other conflict zones for separate
documentaries in Afghanistan, Liberia, and East Congo.
These experiences paved the way for numerous trips abroad.
He recently spent three months in Moscow shooting the
Russian feature film “Shift” that was an entire Russian
production with a foreign Director of Photography.
Back
home, Lamborn’s artful sensitivity and ability to capture
very real and evocative moments earned him work with AT&T,
Nike, Adidas, Samsung, Merk, Norelco, Subway, Oxygen, USA,
MTV, NY Times, Nickelodeon and Nick Jr. Currently, he is
involved in a personally inspired project chronicling the
people and lifestyle of a small fishing village in Baja,
Mexico. |
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Production Designed by Laurie Krupp
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She has been production
designing films, commercials, television, and music videos
since 1997. Krupp studied fine arts and photography at the
Cleveland Institute of Art in Lacoste, France and returned
to her home to earn a BFA in photography from the School of
Visual Arts in New York City.
She has designed
approximately 25 films, including both shorts and features.
Her work has been shown at numerous film festivals including Tribeca Film Festival, Hamptons Film Festival, SXSW, LA
Shorts, NY Shorts. “For Our Man” that Krupp art directed in
2002, won best short at SXSW and went on to win best live
action short at the Academy Awards. “Bottomless Cup” was
awarded the New Media Award for Visual Design at Columbia
University Film Festival. Her latest feature “Day Zero”
opened in theatres January 2008.
Krupp has worked as a
freelance art director for U-direct productions, Cohn &
Company, Creative Group, and Chelsea Pictures, serving
commercial clients including Clairol, Febreze, Coca-Cola,
Honda Japan, Plavix, Comcast, e-Diets, and BMW. She has
exhibited her photography and mixed media sculpture in New
York and west coast galleries. Krupp is also a teaching
artist with Working Playground, a not-for-profit arts
education organization for New York City kids.
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Costumes by
Mikaela Wohl |
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She
was born and raised in rural Wisconsin, learning to sew from
her mother at the age of three. While Wohl dabbled in the
occasional stuffed animal and quilt, her real passion was
costume. In high school she worked at a nearby professional
theater as a stitcher, later getting a Bachelor of Arts in
Film and a Bachelor of Science in Fashion Design from the
University of Wisconsin, Madison. Wohl moved to New York in
the fall of 2003 and got an Associate Degree in Fashion
Design from the Fashion Institute of Technology in New York
City. She has designed nine feature films and many
commercials and shorts. Wohl is currently working on the
second season of Human Giant on MTV.
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Edited by
Patty Schumann |
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For her editing work, she has
won a Silver Telly (for Paul Simon's charity Children's
Health Fund Operation Assist that was a Katrina project) and
Insight Award for Excellence, and Best Feature and Creative
Spirit awards (balloonhatthemovie.com). |
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Co-Produced by
Amanda Doss |
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Amanda Doss has been working in independent film for over a
decade. She is a founding partner of Ugly Betty Productions,
Inc. which was established in order to pool talented
filmmakers to produce marketable, entertaining and
stimulating independent films.
Through Ugly Betty Productions Amanda
has produced the feature film,
Closer Than the Boy Next Door as well as several short films,
commercials and music videos. Individually, Amanda has
worked as Line Producer and UPM on many features including
Sarah Jacobson's 1997 Sundance entry,
Mary Jane's Not a Virgin Anymore. She has also
produced dozens of nationally aired commercials and
industrial films; her work includes pieces for Universal
Pictures, Procter & Gamble and Mercedes-Benz to name a few.
Aside from producing, Amanda was the
founder of The Producer’s Action Network (PAN), a workshop
series geared toward helping producers network, exchange
ideas and develop their film projects. She has served as
Marketing Coordinator for IFP/New York, has taught producing
workshops at DCTV, moderated, coordinated Master Class
Workshops for AIVF and taught producing at the New York Film
Academy.
Amanda recently completed
the short film THIRSTY, directed by Bo Mehrad, that was
aired on PBS and AtomFIlms.com. |
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